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Somewhere Else

by Garden

supported by
Sven B. Schreiber (sbs)
Sven B. Schreiber (sbs) thumbnail
Sven B. Schreiber (sbs) Prog with a bit fusion, a bit metal, a bit chamber music, some folk rock, and occasional zeuhl... that's the recipe of the explosive cocktail presented by Samuel Bradley aka "Garden" on this excellent album. It's jaw-dropping - and genuinely progressive. Found in Osvalto Di Camillo's exquisite collection. Favorite track: The View.
Poesy Rider
Poesy Rider thumbnail
Poesy Rider Ian Anderson sors de ce corps ! Bon, malgré une prod qui manque de relief (et un chant qui n'est d'habitude pas mon type), il faut dire que Garden réalise un bon album grâce à des compos qui tiennent la route et surtout l'apport d'instruments variés (flûte en tête). Bref, prometteur ! Favorite track: Waiting for Fireworks.
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1.
The turn of the century, the lunar fall The eyes in the heavens, the end of all The death of perfection, the Considerate, moved, searches his conscience, "I've found a way to save this, the Architect is blameless, my oils have found a purpose, I'll paint the new with the old, and save his soul." So, from naivety is born division Onto the canvas must be drawn every soul To cover tracks he must do so with swiftness, and in this act deny one the right to be whole Onto the canvas must be drawn every soul, every deviation to satisfy, and so too undermine a game of Gods and dice A traveller walks across these lifeless lands, gathering pieces strewn across timeless sands. Cloaked, emerging from the desert, waiting for this world's end to seize its treasure But what of he that is not one, he is the one forgotten, and how he longs to gather his pieces, how he longs for oneness Onto the canvas must be drawn every soul, every deviation to satisfy aesthetic intention divine. But what if the plot should twist? Emerges the ever-silent, the ever-watching Climb the last step just to find another stairway
2.
Leaving Home 07:32
I remember a time, not so long ago I sang of the day I'd escape I remember her eyes, watching every step, lest I should wander too far But the song did not end, I sing it still waiting for perfection to find me Close to the garden, close to the shore in a world of symmetry angels, Full Moons & Pretty Things Long since words were my vice and my affection lay sleeping in memory, against all odds I saw hope nurture faith, their conception made quite sure that I would dream again But this time I won't rest my eyes How can I afford to be blind to the sunrise? Searching for obsession to save me from sleep Longing for sensation to bury me deep this time Meet me at 4 in the morning on Queen St. Meet me at St. Andrews with a smile unpainted I've been running 41 to 44 so long I don't know which way is North Meet me at 4 in the morning on Queen St. Meet me at St. Andrews with a smile unpainted Build me a bridge that won't burn under each new day's light Yet I drift through Wardrop's Court to keep the memory alive, stuck on every corner I imagine you're behind After so long you would think I'd have moved on but I still stay right here It's easy to recall childish visions of the future, from the 10th floor panorama When life moved in chapters steadily towards the sea and love fulfilled the need for drama
3.
In a Garden 06:18
We went down by the river, we lay down by the sea We watched time pass together as we aged endlessly Down by the weeping wellspring, a mere passerby, I'll test the waters, taste the waters, in health & sickness Under the shadow of your throne Under the spreading chestnut tree I still remember long ago, in love's lonely garden she changed me The wireless crackled on and played a year-long song It reminds me of you Every word, every verse Under the shadow of your throne Under the spreading chestnut tree I still remember long ago, in love's lonely garden she changed me In the end all will be forgiven, but let's tread lightly 'til then
4.
I awoke at noon to find the day had passed me by, somewhere 'long the winding path my dreams took me last night I saw myself in 5 years' time, Somewhere Else in paradise But the morning always comes, the work is never over But I can't bear the silence, I crave event and violence Page-turning, eyes held skyward, we await the sound of fireworks Lifelike, on Quartermile, we watch the world go by How I wish, how I wait Like fishers at an empty lake, we wish and wait I looked inside myself today Alarmed at what I'd found in the dusty corners of my mind A wish to sleep forevermore, to find a place to hide From what I'm seeing, I'm reeling Could it be true that I'm merely watching hours drifting away on the winds of "not today"? Oh how I wish to peaceful, watching life from a distance Oh how I wait for the day I awoke at dawn to find the meaning still unclear Though the clouds were blinding hope was hiding somewhere at the edge of sight I wish to walk unbroken ground but something's in the way After the fireworks, after the smoke cleared at last I was left with a lingering feeling, one of emptiness and doubt I spent my whole life in wait for the climax, just to watch the curtain fall After all, resolution will not wait for New Year's Day I wish to walk unbroken ground in body and in mind I won't crave the end this time Each restful night a currency to trade against my own posterity Waiting for fireworks has taken its toll on me, but I might just stay and rest here for a little while longer
5.
The View 07:13
Somewhere Else, Somewhere Else the tide awaits, Somewhere Else the child awaits a sign, Somewhere Else the tide is waiting, but the child awaits a sign Gazing towards the horizon, I felt at once here and elsewhere The line I drew divided me in two Into or in from the outside I grew, and the branches kissed the roots Where I live is between the island and metropolis, waiting with the silence As the end of the road drew near, I realised at last that no matter where I am I want to be Somewhere Else, far away, where the sun retains its majesty, curled with a comforting memory. Past lives of Nowhere, Nobody Quiet, the city conspires with the night to drive me out, back to the garden where I belong I can't cross The Rift I could show you the view from here, but I fear you would not see what I see After all, the ellipsis horizon paints a lifelike frame and it's easy to get lost in a place we never reach As the end of the road drew near the horizon beckoned and for all of the miles I'd come, I felt like leaving home

about

Garden's second EP, recorded Summer 2013.

credits

released September 21, 2013

Lauren Bain - flute
Samuel Bradley - bass guitar, lead vocals, tuba
Dan Glover - piano, vocals
Chris Grieve - cello
Patrick Jamieson - guitars, vocals
Matilda Nordqvist - violin
Cameron Kuronen-Stewart - clarinet, saxophone

also featuring:
Hannah Bradley - vocals
Greg Thornton - vocals
Jack Webb - saxophone, vocals

Composed by Samuel Bradley
Mixed & Mastered by Samuel Bradley

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about

Samuel M Bradley Glasgow, UK

Samuel Bradley is a bass guitarist, double bassist & composer from Edinburgh, living in Glagow.

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